Charting the trajectory of Jones's practice through the last decade with a focus on the past five years, images of selected significant works demonstrate the developments and shifts in the artist's practice where he has physically undone objects associated with systems of power and control to question their assumed command of the truth.
In the catalogue’s essay, Nijah Cunningham astutely identifies the role of the viewer in a new thesis; a collective endeavor found in the black radical aesthetic tradition of Jones’s oeuvre that calls for “co-conspiring” between the viewer and artist.
Publisher: Galarie Le Long
Publication date: 2021
92 pages